Prelim

Second Editing Session

During this session we managed to finish editing our prelim. I worked with Crerer and Victor to create the final cut of the prelim. We continued to drag the clips into the timeline, cross cutting between the medium shots and the close ups of each character to form a sequence that flowed without the viewer noticing the cuts. The main problems we faced were associated with the sound. On some clips, the audio from one character overlapped, leaving us with an unclear repeat of the same line. In order to solve this we had to cut the sound from the first clip early, and replace this with background noise, leaving only the line from the second clip.
When the sequence was cut together we decided to give our prelim a more professional look. We did this by cropping the screen at the top and bottom to make a more cinema like ratio, also known as adding letterbox. We then added a fade at both the beginning and the end, so the sequence opened and closed softly instead of a harsh opening cut. Finally we added the text with our names and our prelim was finished.
Overall i think it was a very successful prelim. If i were to have a second attempt at this I would ensure that when filming, the actors left slightly more space in-between their lines, or ensured that each time they delivered them, they did it the same. This would solve the continuity errors and sound errors that were unavoidable in the edit. However despite these slight errors, the prelim looks professional, and flows smoothly. Having made many films before I believe that this was a very easy task and I look foreword to creating something even more challenging.

Kyle Cooper - kiss kiss bang bang

Kyle cooper displays his impressive skills in graphic design through this title sequence. He worked as executive producer on this project, playing a important role in matching the imagery to the mood, theme and Genre.

The whole sequence is portrayed in cartoon graphics, which give a comical effect to the opening, and indicates a Film noire, murder mystery genre to the film. This added with the lack of colour resembles the discolouration on the pages of stereotypical crime novels. The colour code uses basic noir colours of black and white juxtaposed with the orange and red pulling our attention towards the connotations of blood and danger yet with a sense of fantasy and passion. This is supported by the title of the film; "kiss" suggests a sense of romance which is displayed by the repeated use of the colour red and "bang" suggesting action which is supported by the pace and energy of the graphics. From this sequence it is clear to see the genre of the film is action and film noire with themes of romance and crime. Action is implied through the fast pace in the editing, it also show the location and the following of a character. The comic book effect features silhouettes of characters to give the film a murder mystery style.
I believe one of the reasons Kyle Cooper is so successful is the way he creates enigma in his title sequences. By doing this the audience is drawn in and feel eager and excited to further watch the film. The Enigma makes the audience question the film and in order to answer these questions they continue to watch. 'Kiss Kiss Bang Bang' is a prime example of this. Cooper chooses to animate this entire sequence showing no actors faces and no specific locations, revealing very little and enticing the audience to watch the film.

Kyle Cooper - Se7en

This is personally my favourite title sequence from both film and TV. When I first watched this I was drawn in by the exquisite detail in each shot. The New York Times reffered to this title sequence as “one of the most important design innovations of the 1990s”.

The Mise en scene features images of pages of books, pens writing on paper, fingertips, scissors cutting film etc. all shot in extreme close up. By doing this Cooper creates a huge sense of enigma; we as an audience do not know what is going on, we are simply enthralled by this in very intricate artistic imagery which effectively reveals very little, purposely intriguing the viewer. A tense mood is created as the audience are so unknowing. By shooting all in close up we never see the persons face. We associate the imagery with detective work, or perhaps because of the dark lighting, music and typography we may associate criminal activity, assuming the man is a serial killer or a murderer.
The lighting is very dark connoting danger and fear. This use of low key lighting also creates a suspicious atmosphere. Very little colour is revealed throughout the sequence, showing mostly black and white except for the focus on the red as the pictures are being developed. This harsh contrast implies danger, blood, and horror.
The sequence is in montage format. The clips are completely varied with no chronological structure. This is quite disturbing for the audience as so many random clips are thrown at us in this short space of time, it is difficult to understand what is happening and therefore we feel very unsettled.
tension grows throughout the title sequence as the pace of both the music and the cutting rate increases. In contrast with these Cooper has decided to use slow motion on some of the clips. This enhances our focus on a particular shot or object, connoting its importance. This also varies the pace which again unsettles the audience.
An eerie feeling is established through the use of flickering within the shots and transitions. Cooper uses this to disturb the viewer and imply that something is not quite right. He also uses flickering and twitching in the typography. The font he has used resembles handwriting, this fits in with the criminal connotation, and conveys quite a sinister and chilling tone.

Kyle cooper - Demo Reel

Kyle cooper is a renowned graphic designer for motion picture title sequences. His work in the field of film and TV title design is astonishing. It has been said that he has "Almost single-handedly revitalizing the main-title sequence as an art form". He has directed over 150 productions some of the most successful include :


Braveheart

Se7en 

Spider man

Iron man









The walking dead

He is the founder of two internationally recognized film companies; imaginary forces, and prologue films. I personally find his work on the title sequence se7en truly impressive. This is considered to be the third best title sequence of all time. He uses his knowledge and creativity in graphic design to create some of the best title sequences ever made earning him five Emmy Award nominations and one win for his work on the 81st Annual Academy Awards.



Preliminary editing

We edited using the program Adobe Premiere Pro. This is a very advanced software with a wide range of techniques and effects. Although for our prelim we only required understanding of a few basic concepts.

We began by organizing the files, into folders. The main folder where all the original clips were placed was called the rush's folder. This is where we could always revert back to if there was to be an error with a clip whilst editing. We then selected the best takes of each angle, and put these in a folder called the log bin. We labelled each shot to speed things up whilst editing. The names explained what the shot was for example: 'whole scene wide', 'Ollie CU', 'Crerar MS' (CU = Close Up / MS = Mid Shot). Now all the clips were labelled, we could begin editing the short sequence together. We did this by firstly, previewing the clip, then using the short cut 'I' to select the in point of the clip, then 'O' to selected the out point. We dragged our selection into the time line. here the clip was split into two sections. The video and the audio. Video was above and audio was below. We managed to edit a small section of the clip together. Here is a screenshot of the editing process:

Preliminary shoot

In preparation for making my thriller, and putting into practice the skills I had learnt from the camera lessons. We had to create a preliminary sequence. This involved shooting a short conversation between two people. We were given a storyboard and a script with which we interpreted with our own story. Here is the storyboard we used:

The final story line we agreed on was that the two characters were lovers, and the male character was convincing the female character to tell her husband. As well as the basic shots that are vital to a sequence like this such as: Wide, Mid shot, Close up, over the shoulder. We agreed it was necessary in order to convey our story that extra shots were required such as a close up on the females face to convey her sad expression and build the tension before her lover arrives. Then a close up on her phone showing her sliding through pictures of her and her husband, followed by a mid shot showing her wiping away her tears before her lover bursts in.

We shot using the Sony NX5 and a tripod. We used the basic set in the studio, this was a room with a sofa and a door. Ollie and Crerar played the two roles, I directed and filmed along with Lauren and Katie. We began with the wide shot allowing us a main shot to revert back to if we came across a shot which we didn't like when editing. Then we shot the mid shots and close ups of character 1 afterwards we filmed the same shots with character 2. I found difficulty in making the actors do similar gestures and movements in each take. I realised that this would leave us with some continuity errors later in post production, therefore i tried to make each character stay in the same position and do each movement the same for every take. In order to make the actors stay in the same positions we used tape markers to show where each actor stood at which point in the sequence.

Sexy Beast - Opening Sequence Analysis

This Sequence uses irony and humour to convey to the audience various information about the leading character played by Ray Winston. The mise en scene conveys to the audience how this man is Rich, careless and rude. There are many key shots that reveal the most information for example:

This shot is the first reveal of the main character. Through this simple overhead shot we can work out many things. The key objects in the frame are the beer, the suntan lotion and the cigarettes. All of these items tell us that this man is completely care free and relaxed, perhaps on holiday. His tan connotes how long he has been sunbathing, maybe in the same routine everyday for weeks, even months.

The use of sound is very effective in this sequence. Non-diegetic sound is firstly used at the very beginning of the scene. We hear a voice over from the main character but we don't see his face. This leads us to focus fully on what we can hear. This use of voice over creates humour. Through the line "roasting" and the shot of this sun, we can work out we are in the POV of a man sunbathing, and this commentary conveys that he's a quirky character. Once the man begins to move Diegetic music kicks in. This music is sassy, and suiting to this mans movement and appearance. We get the impression that this man is confident and careless, this could be a result of having lots of money.



The Editing also conveys a lot to the audience. The way in which specific shots are cut together
conveys subtle meaning, for example this clip on the left, begins with a long shot from above of the man and two love hearts, The director has then made the careful decision to cut to the first shot we see of a woman, driving away. This implicates how this is perhaps his wife. By filming from behind, we also get the impression that this woman is on her way towards the man.


The Genre is difficult to work out from simply this opening sequence. On the surface it appears to be a comedy, although looking carefully at the music and the behaviour of this man may suggest the Crime or Gangster genre. The sequence involving the falling rock confirms this. He has almost no reaction to the huge rolling boulder that could have killed him, this suggests that things like this are a regular occurrence. It also illustrates that he has a lot of money to spare, as he doesn't mind the mess this boulder has created. In conclusion the director has used mostly the mise en scene, especially the acting